The film tells the story of Chronos, the personification of time and the inability to realize his desire to love for a mortal. The scenes blend a series of surreal paintings of Dali with dancing and metamorphosis. The target production began in 1945, 58 years before its completion and was a collaboration between Walt Disney and the Spanish surrealist painter, Salvador Dalí. Salvador Dali and Walt Disney Destiny was produced by Dali and John Hench for 8 months between 1945 and 1946. Dali, at the time, Hench described as a “ghostly figure” who knew better than Dali or the secrets of the Disney film. For some time, the project remained a secret. The work of painter Salvador Dali was to prepare a six-minute sequence combining animation with live dancers and special effects for a movie in the same format of “Fantasia.” Dali in the studio working on The Disney characters are fighting against time, the giant sundial that emerges from the great stone face of Jupiter and that determines the fate of all human novels. Dalí and Hench were creating a new animation technique, the cinematic equivalent of “paranoid critique” of Dali. Method inspired by the work of Freud on the subconscious and the inclusion of hidden and double images.
Dalí said: “Entertainment highlights the art, its possibilities are endless.” The plot of the film was described by. Dalí as “A magical display of the problem of life in the labyrinth of time.”
Walt Disney said it was “A simple story about a young girl in search of true love.” (Youtube)
Destino (the Galician, Spanish, Portuguese and Italian word for “destiny”) was storyboarded by Disney studio artist John Hench and artist Salvador Dalí for eight months in late 1945 and 1946; however production ceased not long after. The Walt Disney Company, then Walt Disney Studios, was plagued by many financial woes in the World War II era. Hench compiled a short animation test of about 17 seconds in the hopes of rekindling Disney’s interest in the project, but the production was no longer deemed financially viable and put on indefinite hiatus.
In 1999, Walt Disney’s nephew Roy E. Disney, while working on Fantasia 2000, unearthed the dormant project and decided to bring it back to life. Disney Studios France, the company’s small Parisian production department, was brought on board to complete the project. The short was produced by Baker Bloodworth and directed by French animator Dominique Monfréy in his first directorial role. A team of approximately 25 animators deciphered Dalí and Hench’s cryptic storyboards (with a little help from the journals of Dalí’s wife Gala Dalí and guidance from Hench himself), and finished Destino’s production. The end result is mostly traditional animation, including Hench’s original footage, but it also contains some computer animation.
The six-minute short follows the love story of Chronos and the ill-fated love he has for a mortal female. The story continues as the female dances through surreal scenery inspired by Dalí’s paintings. There is no dialogue, but the soundtrack features a song by the Mexican composer Armando Dominguez. The 17 second original footage that is included in the finished product is the segment with the two tortoises (this original footage is referred to in Bette Midler’s host sequence for The Steadfast Tin Soldier in Fantasia 2000, as an “idea that featured baseball as a metaphor for life”). Source: ONTD